Instruments and methods influence of television on public opinion
Keywords:
mass media, public opinion, audience, information, verbal and nonverbal methods of influenceAbstract
The aim of this work is to study the role of television as the most effective tool for influencing public opinion. The subject of the study is the analysis of the impact of verbal and nonverbal tools on the audience. It is noted that television not only constructs reality in accordance with the expectations of the public, but manipulates deliberately these expectations. Media employees determine independently the sequence of information supply, thereby programming the priority of the audience in the consumption of a particular information.
References
- Froltsova NT. The fifth element: an image of Belarus on the mirror of the national TV. In: Dubovik SV, editor. Suchasnaja medyjasfera: praktyka transfarmacyi, tjearjetychnae asjensavane, instytucyjanal’nyja perspektyvy. Materyjaly I Mizhnarodnoj navukova-praktychnaj kanferjencyi; 30 sakavika 2017 g.; Minsk, Belarus’ [The modern mediasphere: practice of transformation, theoretical understanding, institutional perspectives: Proceedings of the 1st International scientific and practical conference; 2017 March 30; Minsk, Belarus]. Minsk: Publishing Center of the Belarusian State University; 2017. p. 320–327. Russian.
- Toffler A. Future shock. New York: Random House Tower; 1970. 505 p. Russian edition: Toffler A. Shok budushchego. Gurevich PS, editor. Moscow: AST; 2002. 557 p.
- Kolodkin BV. Manipulation of mass consciousness: social and philosophical analysis. Vіsnik SevNTU. Filosofija. 2010; 103:24–26. Russian.
- Rovinskaya T. [Methods of influence of mass media on public consciousness]. Mirovaya ekonomika i mezhdunarodnye otnosheniya. 2008;6:100–103. Russian.
- Levchenko A. Forms and methods of media influence on public consciousness. Press-suzhba [Internet]. 2005 [cited 2019 April 28]. Available from: http://www.prclub.com/pr_lib/pr_raboty. Russian.
- KaraMurza SG. Manipulyatsiya soznaniem [Mind manipulation]. Moscow: Eksmo; 2005. 832 p. Russian.
- Froltsova NT. Tipologiya tvorcheskoi deyatel’nosti v audiovizual’noi kommunikatsii [Typology of creative’s making in the audiovisual communication]. Minsk: Belarusian State University; 2003. 216 p. Russian.
- Berezhnaya MA. Sotsial’naya telezhurnalistika [Social TV journalism]. Saint Petersburg: Rosa mira; 2005. 217 p. Russian.
- Dmitriev EI. Sotsiologiya zhurnalistiki [Sociology of journalism]. Minsk: Belarusian State University; 2001. 150 p. Russian.
- Bryant J, Tompson S. Fundamentals of media effect. Boston: McCrawHill; 2002. 395 p. Russian edition: Bryant J, Tompson S. Osnovy vozdeistviya SMI. Moscow: Williams Publishing House; 2004. 432 p.
Published
Issue
Section
License
The authors who are published in this journal agree to the following:
- The authors retain copyright on the work and provide the journal with the right of first publication of the work on condition of license Creative Commons Attribution-NonCommercial. 4.0 International (CC BY-NC 4.0).
- The authors retain the right to enter into certain contractual agreements relating to the non-exclusive distribution of the published version of the work (e.g. post it on the institutional repository, publication in the book), with the reference to its original publication in this journal.
- The authors have the right to post their work on the Internet (e.g. on the institutional store or personal website) prior to and during the review process, conducted by the journal, as this may lead to a productive discussion and a large number of references to this work. (See The Effect of Open Access.)