Zero and blank signs: semiotic elements of television programs
Keywords:
semiotics, sign communication, mass media, television, zero sign, empty sign, colour, background, spaceAbstract
The article examines such elements of visual composition as space and colour in order to study their role and identify the communicative potential and determine the algorithm of meaning formation. Based on intermediate experimental data, there is a hypothesis that the space in visual communication through typing, which is assumed to be historical and cultural memory, becomes a zero sign (without a form, but with a meaning), which allows the subject to decode the content (subject of the message) on the basis of a superficial analysis. In this case, the colour (one of the sign elements of the semiotic space) can act as zero and empty signs which isn’t observed in the analysis and not has a semantic load noticed by the referent.
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