Representation of the verbal and nonverbal components of the film in the shooting script (on the material of the French language)

Authors

  • Alesia А. Panteleenko Belarusian State University, 4 Niezaliežnasci Avenue, Minsk 220030, Belarus

Keywords:

cue, stage direction, visual metonymy, audiovisual metonymy, denotation, connotation, zero sign

Abstract

The article is devoted to the analysis of the specificities of the audio and video tracks description of the film in the cues and stages directions of the French shooting script. The feature of the shooting script relatively to the literary scenario to present in more detailed form the verbal and nonverbal elements of the film is clarified. The author’s structural-functional classification of the description of the audiovisual film space is singled out, it’s structured in two mains types and six means. On the bases of denotative or connotative meaning of cues and stage directions were identified the models of its correlation, which determine conceptual arrangement of the shooting script. The material of the research may be used in teaching the French language for the development of the communication skills and verbal-nonverbal culture of the learner through the film industry products, in lectures on the theory and practice of translation and audiovisual translation.

Author Biography

  • Alesia А. Panteleenko, Belarusian State University, 4 Niezaliežnasci Avenue, Minsk 220030, Belarus

    PhD (philology); associate professor at the department of the Romance linguistics, faculty of philology

References

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Published

2019-03-01

Issue

No. 2 (2018): Journal of the Belarusian State University. Philology

Section

Linguistics

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How to Cite

[1]
Panteleenko A.А. 2019. Representation of the verbal and nonverbal components of the film in the shooting script (on the material of the French language). Journal of the Belarusian State University. Philology. 2 (Mar. 2019), 67–75.