Factography and religious discourse as interconnected elements of artistic whole (on the example of the philosophical-allegorical works of M. Harecki «Lyavonius Zadumekus»)

Authors

Keywords:

narratological analysis, author, narrator, event, history, archetype, religious discourse, expressiveness, poetics

Abstract

I used the narratological analysis for reviewing the philosophical and allegorical work of M. Harecki «Lyavonius Zadumekus». The purpose of the article is to prove that the narratological analysis of the structure of M. Harecki’s text reveals new qualities of the work. The concepts of «real author», «abstract author», «narrator» and «event», «history», «narration» are the tools of narratological analysis. The author emphasizes that this text is the example of an expressive narration, in which religious discourse is clearly manifested against the background of an expressive style, which, in turn, actualizes the archetype of the «repentant». It is argued that the basic facts of human existence and the epoch that are highlighted in the text of M. Harecki turn into specific constructs. Elements of religious discourse and the poetics of expressive writing play a leading role in this process. The discovery and proof of the presence of elements of religious discourse and actualization against this background of the archetype of the «repentant sinner» determines the novelty of this article.

Author Biography

  • Olga N. Gubskaya, Belarusian State Economic University, 26 Partyzanski Avenue, Minsk 220070, Belarus

    PhD (philology), docent; head of the department of Belarusian and Russian languages

References

  1. Gubskaya VM. The legacy of Goretsky’s lectures: an attempt of systematization of research. Białorutenistyka Białostocka. 2015;7:407–419. Belarusian. DOI: 10.15290/bb.2015.07.29.
  2. Bugajow D. Maksim Harecki. Minsk: Belaruskaja navuka; 2003. 239 p. Belarusian.
  3. Mushynski M. Padzvizhnik z Maloj Bagac’kawki: zhyccjovy i tvorchy shljah Maksima Garjeckaga [Ascetic from Mala Bogatyvka: Maxim Harecki’s life and creative path]. Minsk: Belaruskaja navuka; 2008. 510 s. Belarusian.
  4. Barshchjewski LP, Vasjuchjenka PV, Tychyna MA. Belaruskaja litaratura i svet: ad jepohi ramantyzmu da nashyh dzjon [Belarusian literature and the world: from the age of romanticism to the present]. Minsk: Radyjola-pljus; 2006. 596 p. Belarusian.
  5. Golub T. Tjekstalogija belaruskaj litaratury XX stagoddzja: gistoryja tjekstu jak shljah da gistoryi litaratury [Textology of Belarusian literature of the XX century: the history of the text as a path to the history of literature]. Mіnsk: Belaruskaya navuka; 2013. 245 p. Belarusian.
  6. Gubskaya VM. Klasіka XX stagoddzja: pryhavanyja tajamnіcy ramana M. Garetskaga «Vіlenskіja kamunary» [Classics of the 20th century: hidden mysteries of M. Harecki’s novel «The Vilna Communards»]. Minsk: National Institute For Higher Education; 2016. 108 p. Belarusian.
  7. Chasnok ICh. Peculiarities of narration in treasure of life by Maxim Garetsky. Acta Albaruthenica. 2015;16:47–55. Belarusian.
  8. Shmid V. Narratologiya [Narratology]. Moscow: Yazyki slavyanskoi kul’tury; 2003. 312 р. Russian.
  9. Harecki M. Vybranyja tvory [Selected works]. Mіnsk: Knigazbor; 2009. 640 p. Belarusian.
  10. Harecki M. Tvory. Dzve dushy: apovesc’. Apavjadanni. Zhartawlivy Pisarjevich: p’esa. Litaraturnaja krytyka i publicystyka. Listy [Works. Two Souls: a tale. Stories. Humorous Pisarevic: the play. Literary criticism and journalism. Letters]. Mіnsk: Mastackaja lіtaratura; 1990. 629 р. Belarusian.
  11. Bluvberg SV. [Religious discourse]. Sotsial’naya politika i sotsialogiya. 2007;2:223–235. Russian.
  12. Lotman YM. V shkole poeticheskogo slova: Pushkin. Lermontov. Gogol’ [At school a poetic word: Pushkin. Lermontov. Gogol]. Moscow: Prosveshchenie; 1988. 352 p. Russian.
  13. Sinkova LD. Bielaruskaja «zvyshlitaratura» [Belarusian «superliterature»]. Minsk: Knigazbor; 2019. 224 р. Belarusian.

Downloads

Published

2020-06-18

How to Cite

[1]
Gubskaya, O.N. 2020. Factography and religious discourse as interconnected elements of artistic whole (on the example of the philosophical-allegorical works of M. Harecki «Lyavonius Zadumekus»). Journal of the Belarusian State University. Philology. 2 (Jun. 2020), 26–34.