Рецепция творчества И. В. Гёте веймарского периода в белорусской культуре

  • Екатерина Андреевна Шмык Белорусский государственный университет, пр. Независимости 4, 220030, г. Минск, Беларусь

Аннотация

Рассмотрены основные этапы и стратегии освоения белорусской культурой творчества И. В. Гёте веймарского периода. На каждом этапе выделены наиболее репрезентативные события, повлиявшие на развитие творческого метода как отдельных художников, так и белорусской культуры в целом. Установлены направления, по которым в тот или иной период происходили знакомство с наследием И. В. Гёте и его рецепция в белорусской культуре. Подчеркивается, что наиболее плодотворными в этом процессе стали вторая половина ХХ и начало XXI в., когда рецепция творчества И. В. Гёте осуществлялась не только через художественный перевод, но и посредством театрального, музыкального, изобразительного искусства.

Биография автора

Екатерина Андреевна Шмык, Белорусский государственный университет, пр. Независимости 4, 220030, г. Минск, Беларусь

аспирантка кафедры культурологии факультета социокультурных коммуникаций. Научный руководитель – кандидат филологических наук, доцент Г. В. Синило

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Опубликован
2021-09-20
Ключевые слова: Иоганн Вольфганг Гёте, немецкая культура, белорусская культура, диалог культур, культурные контакты, художественный перевод, рецепция, немецкая литература XVIII в.
Как цитировать
Шмык, Е. А. (2021). Рецепция творчества И. В. Гёте веймарского периода в белорусской культуре. Человек в социокультурном измерении, 2, 57-67. Доступно по https://journals.bsu.by/index.php/pitscd/article/view/4081
Выпуск
№ 2 (2021): Человек в социокультурном измерении
Раздел
Мировая и национальная культура