Literary game, its phenomenological comprehension and typology in Russian poetry of the second half of the 20th century

Authors

  • Tatiana A. Svetashova Belarusian State University, 4 Niezaliežnasci Avenue, Minsk 220030, Belarus

Keywords:

game, literary game, typology of literary game, Russian poetry of the second half of the 20th century, realism, modernism, postmodernism
Supporting Agencies
The author thanks doctor of science (philology), professor I. S. Skoropanova and the teaching staff of the department of Russian literature of the faculty of philology of the Belarusian State University for the help during preparing the article.

Abstract

Basing on previous research the article presents the systematic analysis of literary game as a phenomenon. Proprietary conception of literary game is formulated, its constitutive features are highlighted, the definition is proposed. On the material of Russian poetry of the second half of the 20th century the typology of literary game is worked out and its role in the main literary schools of that period (realism, modernism, postmodernism) is educed in the light of their specific features. The liberating value of the literary game, its increasing scale, possibilities and significance are substantiated.

Author Biography

  • Tatiana A. Svetashova, Belarusian State University, 4 Niezaliežnasci Avenue, Minsk 220030, Belarus

    lecturer at the department of Russian literature, faculty of philology

References

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Published

2021-03-09

Issue

No. 1 (2021): Human in the Socio-Сultural Dimension

Section

World and National Culture

How to Cite

[1]
Svetashova, T.A. 2021. Literary game, its phenomenological comprehension and typology in Russian poetry of the second half of the 20th century. Human in the Socio-Cultural Dimension. 1 (Mar. 2021), 50–59.