The work of creative industries with Soviet aesthetic forms

Authors

  • Alexei D. Krivolap Belarusian State University of Culture and Arts, 17 Rabkaraŭskaja Street, Minsk 220007, Belarus

Keywords:

creative industries, aesthetics, rethinking, Soviet culture, practice

Abstract

The article is devoted to the topic of rethinking the Soviet cultural heritage. The text presents authentic information of the possibilities of creative industries for rethinking Soviet aesthetic forms in modern Belarusian everyday urban culture. The concept of aesthetic forms of G. Marcuse, aesthetic uprising of G. Zubrzyckaya and Sovietness as a great style of B. Groys is used as a theoretical foundation. The article suggests possible approaches to the reinterpretation of the Soviet in terms of aesthetic issues. Results of this study are published for the first time.

Author Biography

  • Alexei D. Krivolap, Belarusian State University of Culture and Arts, 17 Rabkaraŭskaja Street, Minsk 220007, Belarus

    PhD (cultural studies); associate professor at the department of the cutural studies

References

  1. Marcuse H. The aesthetic dimension. Toward a critique of Marxist aesthetics. Boston: Beacon Press; 1978. 88 p.
  2. Groys B. Gesamtkunstwerk Stalin. Moscow: Ad Marginem; 2013. 168 p. Russian.
  3. Zubrzycki G. National matters: materiality, culture, and nationalism. Stanford: Stanford University Press; 2017. 277 p.

Downloads

Published

2021-09-20

Issue

No. 2 (2021): Human in the Socio-Сultural Dimension

Section

Cultural Industries

How to Cite

[1]
Krivolap, A.D. 2021. The work of creative industries with Soviet aesthetic forms. Human in the Socio-Cultural Dimension. 2 (Sep. 2021), 75–80.