The evolution of percussion instruments in world music culture

Abstract

The evolution of the interpretation of percussion instruments in the musical culture of Europe is considered, based on a fundamental change in the attitude of composers to percussion instruments and their role in the construction of the dramaturgy of a musical work. It is noted that the formation of percussion performance dates back to ancient times when percussion was freed from its functional tasks and moved into the aesthetic space, becoming the leading and most accessible group of accompanying instruments and playing a significant role in the formation of the classical symphony orchestra. It is indicated that the exchange of cultural values, the search for new means of expression along with the innovative activities of composers led to the emergence of a new direction – solo multipercussion. It is determined that the interpretation of percussion instruments as solo contributed to the creation of a percussion show.