Музыка в афроамериканской литературе: опыт интермедиального анализа романов З. Н. Херстон

Юлиана Алексеевна Афанасьева

Авторы

Юлиана Алексеевна Афанасьева Белорусский государственный университет, пр. Независимости, 4, 220030, г. Минск, Беларусь

Ключевые слова:

афроамериканская литература, блюз, джаз, Гарлемский ренессанс, вернакуляр, интермедиальность, означивание

Аннотация

Устанавливается специфика интермедиальных связей в романном творчестве З. Н. Херстон. Выделяются предпосылки, определившие вектор развития афроамериканской культуры в период Гарлемского ренессанса. Обосновывается вкрапление музыкальных элементов в афроамериканскую литературу первой половины XX в. Особое внимание уделяется анализу авторской манеры вовлечения музыкального нарратива в текст, изучению взаимодействия экстра- и интракомпозиционных вариантов интермедиальности в нем. Выявляются отличительные черты интермедиального подхода З. Н. Херстон к использованию музыкальных структур в прозе. Корреляция музыкального и словесного начал показывается с учетом особенностей авторского стиля и модернистских тенденций аутентичной культуры, что позволяет раскрыть специфику творчества З. Н. Херстон в частности и афроамериканских прозаиков периода Гарлемского ренессанса в целом.

Биография автора

Юлиана Алексеевна Афанасьева, Белорусский государственный университет, пр. Независимости, 4, 220030, г. Минск, Беларусь

магистрант кафедры зарубежной литературы филологического факультета. Научный руководитель – кандидат филологических наук, доцент А. М. Бутырчик

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